St. Augustine’s Press

Karl Rahner, S.J. (1904–1984) ranks among the most influential theologians of our time. His contributions to the Second Vatican Council (1963–1965) shaped to a large degree the doctrinal formulations on the church, the sacraments, and the role of the laity. And his efforts at reconciling the scholastic method with an existential and anthropological understanding of humanity’s relationship with God earned him the reputation of having opened doors for ecumenical dialogue and to those outside the church.

Written for his brother Benedictine monks around 1077, Anselm’s Proslogion is perhaps the best-known partially-read book of the Middle Ages. Many readers are familiar only with Anselm’s well-known argument for God’s existence in Chapters 2–4, which is often called the “ontological argument,” a misleading appellation coined centuries later by Immanuel Kant. In this argument Anselm begins with the thought of “something than which nothing greater is able to be thought,” and subsequently he leads the reader to see that such a reality necessarily exists and cannot be thought not to be. This argument – which is, to be sure, crucial to the work constitutes – but a small portion of the whole. 

What role did Humanism play in the emergence of English Protestantism? This question has remained a live issue for Reformation scholarship over the past four centuries. In the Ark, the Covenant, and the Poor Men’s Chest, the author examines the issue in detail, utilizing categories drawn from the research of John W. O’Malley on the application of different modes of classical rhetoric to biblical interpretation during the Renaissance.

Before the Second Vatican Council, America’s Catholics operated largely as a coherent voting bloc, usually in connection with the Democratic Party. Their episcopal leaders generally spoke for Catholics in political matters; at least, where America’s bishops asserted themselves in public affairs there was little audible dissent from the faithful.

No philosopher since Augustine had more strings to his bow than Søren Kierkegaard. He wrote from many points of view, in many literary styles, about many topics (not all of them traditional philosophical topics). He should have written novels or plays, for he turned himself into a different character every time he wrote a new book. Is there a philosopher who has ever exceeded the quantity, quality and variety of his output in such a short time?

In The Philosopher’s Enigma, Richard Watson explains to believers in temperate and readable prose why he and many others are not believers. His discussion is based on strict Augustinianism, the foundation of seriously argued Christianity. God is hidden – that is, the concept of God is unintelligible – as discussed at length by Leszek Kolakowski in his Religion If There Is No God (St. Augustine’s Press) – in the sense that there are no known rational arguments for God’s existence. Moreover, Augustine argues that finite human beings cannot understand God’s infinite perfections.

This volume offers an English translation of John of St. Thomas’s Cursus theologicus I, question I, disputation 2. In this particular text, the Dominican master raises questions concerning the scientific status and nature of theology. At issue, here, are a number of factors: namely, Christianity’s continual coming to terms with the “Third Entry” of Aristotelian thought into Western Christian intellectual culture – specifically the Aristotelian notion of ‘science’ and sacra doctrina’s satisfaction of those requirements – the Thomistic-commentary tradition, and the larger backdrop of the Iberian Peninsula’s flourishing “Second Scholasticism.”

Beauteous Truth explores the inextricable connection between the Good, the True and the Beautiful. It is a book that makes the necessary connections between faith and reason and between theology, philosophy, history and literature. It presents a panoramic overview of Western Civilization, from Homer to Tolkien, and highlights the importance of the great figures of the Catholic cultural revival, including Newman, Wilde, Chesterton, Belloc, and C.S. Lewis. Ranging from Shakespeare to Solzhenitsyn, Beauteous Truth celebrates the marriage of sanity and sanctity, which is the fruit of the indissoluble union of fides et ratio.